High Quality Equipment

We shoot on RED! Here at Sincere Promotions, we work with high-end, state of the art professional equipment. From 8K cinema cameras and intelligent drones to high-end microphones
to top-shelf lighting gear.
Let us introduce to you our most important assets. We also provide some of it to rent – just follow the link next to the required item.

RED EPIC-W HELIUM 8K

This professional cinema camera is the heart of our productions. Capable of recording REDCODE RAW format up to 8K Footage at 30fps or lower resolutions at up to 300fps. The HELIUM sensor has been used to record countless blockbuster movies for theaters all over the world, and we are proud to use it for capturing YOUR story!
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RED RAVEN 4.5K

The RAVEN is HELIUM’s little sister. Its sensor is capable of recording up to 4.5K footage at up to 120fps in REDCODE RAW format.
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Canon EOS R5

The Canon R5 is a professional full-frame camera we mainly use for photography. But if you’re on a tight budget, we can offer you the Canon R5 for shooting your video. It’s capable of recording up to 8K at 30fps in Canon RAW
or 4K 120fps in Apple ProRes.

DJI Mavic 2 Pro

This little fella is equipped with a 1″ sensor Hasselblad camera, that offers resolutions up to 4K at 30fps or lower resolutions at up to 120fps. The Mavic 2 Pro is a great companion for aerial photography/videography and silky smooth tracking shots.

Cine Lenses

What good is a camera without a lens?
Our arsenal of top brand glass
is the necessary tool kit
to deliver high-quality images:
Schneider Kreuznach Xenon FF Prime T2.1 35mm
Schneider Kreuznach Xenon FF Prime T2.1 50mm
Sigma High Speed Zoom T2.0 18–35mm
Sigma High Speed Zoom T2.0 50–100mm
Laowa 2X Macro Probe Cine T14 24mm
Walimex Pro T3.8 8mm
Walimex Pro T2.2 16mm
Walimex Pro T2.2 135mm

Photo Lenses

Our photo lenses are:
Canon RF f/4 24–105mm
Canon RF f/11 800mm
Canon EF-S f/2.8 17-55mm
Canon EF f/4-5.6 75–300mm
Laowa Ultra Macro 2.5–5X f/2.8 25mm

Aputure LS 600d Pro

Let there be light!
“LS” stands for light storm.
And that’s a pretty good keyword for
this mobile “sun”.
This 600W daylight LED can output 8500lx
at 3m distance.
Its ability to run on battery
and its dedicated accessories,
the “Lantern”, “Barn Doors” or ” F10 Fresnel”,
make it a great fit for almost any situation.
It is also weather resistant, flicker-free and dimmable!
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Litepanels Gemini 1×1 Soft

The Gemini 1×1 is super fun to work with. Not only do you get a super accurate white spectrum, but you also get control over 16.7 million colors as well as a bunch of effect templates like fire, lightning or emergency. It’s also flicker-free, dimmable, and can run on battery if needed.
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Litepanels Astra 6X

Litepanels Astra is THE industry workhorse.
It’s light, bright, and accurate. It can run on battery, it’s dimmable and
adjustable between 3200–5600 kelvin.
At maximum output, it delivers 1500lx at 3m.
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Aputure AL-MC

A lot of small lights can have a big impact!
Especially if they are as capable as the AL-MC.
They offer a 360° color hue, a white spectrum from 3200–6500 kelvin, wireless charging, magnetic backplates, effect modes, and even a color picker, which is a great tool. They also can be linked and controlled via app.

Gimbals

We love shooting on gimbals. It’s just a lot of fun!
To carry our heavy cine-setups,
we need strong motors.
The Zhiyun Crane 3s Pro has enough power
to balance a 6Kg heavy RED build.
That’s why we have two of it.
We also have the original DJI Ronin as backup.

Motion Control

Without motion, a video is just a picture.
We use motorized sliders and heads
for precise motion control.
Our edelkrone ecosystem is great for time-lapse or interviews and – of course – dolly shots.

Microphones

Different situations call for different microphones.
We have two Neumann TLM 103 mics
for studio recording,
a Sennheiser MKE 600 shotgun mic, a Rode Lavalier II, and three Rode Lavalier GO for interviews, as well as a bunch of other dynamic mics and shotgun mics.
Recordings in the field are captured on the Zoom F6.

Sticks

Who doesn’t like long, elegant legs? We love ’em!
Especially when they are tough and sturdy.
Our favorite tripod is the Sachtler Flowtech 75 with its aktiv6 head. It’s fast, it’s robust, and it’s very innovative. We also love our gigantic and solid Sirui R-5214XL and our Manfrotto sticks and heads. These guys have to carry a lot of money, so they need to be reliable.

Workstation

To cope with all the heavy video data we receive from our cinema powerhouses, we need a
VERY strong computer.
That’s why we use an 18-core iMac Pro
with 128GB RAM and a
Radeon Pro Vega 64 16GB graphics card.

SmokeGenie

Cinematic smoke on demand!
The SmokeGenie makes it possible. Just a short push on the button and you‘ll get high-quality fog, haze or dry-ice effect. This little but powerful fella is perfect for product shoots and portraits.
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Little Helpers

There’s always more to a production than the expensive, bright shining stars
we like to brag about 😉
There are monitors, shoulder rigs, camera bags, cables, battery packs, effect filters, mass storage devices, matte boxes, graphics tablets, live streaming devices, screws, tape,
and so much more.
All of it is important, but it’s definitely
too much to address here.
Rest assured we are exceptionally well equipped to bring your vision to life!